Donatello, real name
Donato di Niccolò di Betto Bardi (1386?-1466), Italian Renaissance sculptor, who
is generally considered one of the greatest sculptors of all time and the
founder of modern sculpture.
Donatello was born in Florence, the son of a wool comber.
When he was 17 years old, he assisted the noted sculptor Lorenzo Ghiberti in
constructing and decorating the famous bronze doors of the baptistery of San
Giovanni, Florence. Later, Donatello was also an associate of the noted
architect Filippo Brunelleschi, with whom he reputedly visited Rome in order to
study the monuments of antiquity.
Donatello's career may be divided into three periods. The
first and formative period comprised the years before 1425, when his work is
marked by the influence of Gothic sculpture but also shows classical and
realistic tendencies. Among his sculpture of this period are the statues St.
Mark (Church of Or San Michele, Florence), St. George (Bargello,
Florence), John the Evangelist (Opera del Duomo, Florence), and
Joshua (campanile of the cathedral, Florence).
The second period (1425-1443) is generally characterized
by a reliance on the models and principles of the sculpture of antiquity. From
1425 to 1435 Donatello worked with the Florentine sculptor and architect
Michelozzo on a number of projects, including the monument to Bartolomeo
Aragazzi (Cathedral of Montepulciano). In their joint work Michelozzo executed
the architectural designs and also helped in the making of the bronze castings;
Donatello executed most of the statues. From 1430 to 1433 Donatello spent
periods in Rome, where he created a number of works, notably the ciborium in the
sacristy of the Basilica of Saint Peter, decorated with the reliefs
Worshiping Angels and Burial of Christ. It was in Florence,
however, that he created the most noted work of this period—the bronze
David (circa 1430-1435, Bargello), the first nude statue of the
Renaissance.
In his third and culminating period, Donatello broke away
from classical influence and in his work emphasized realism and the portrayal of
character and of dramatic action. Notable examples of his sculpture of this
period are Miracles of St. Anthony (Sant' Antonio, Padua);
Gattamelata (in the square before Sant' Antonio), the first bronze
equestrian statue since ancient times; and Judith and Holofernes (Loggia
dei Lanzi, Florence).
The sculpture of Donatello influenced that of Florence and
northern Italy in the 15th century. It was also a major stimulus on the
development of realism in Italian painting, notably in the work of the great
Paduan artist Andrea Mantegna. Donatello, who died on December 13, 1466, had
many pupils, the most important of whom was Desiderio da Settignano.
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