Bob Dylan, born in 1941,
American musician and songwriter, one of the most important figures in
contemporary folk music and rock music. Dylan’s songs of social protest, such as
“Blowin’ in the Wind” (1962) and “The Times They Are A-Changin'” (1964), became
indelibly associated with the civil rights movement in the United States. Later
Dylan was recognized as a rock icon and a gifted, prolific songwriter.
Dylan was born Robert Zimmerman in Duluth, Minnesota. He
grew up in the mining community of Hibbing, Minnesota, learning to play the
guitar and harmonica in his teens. The aspiring musician attended the University
of Minnesota and began his performing career in campus coffeehouses, taking his
stage name from Welsh poet Dylan Thomas. Dylan left college in late 1960 without
graduating and moved to New York City.
In New York Dylan began playing the folk clubs and
coffeehouses in and around Greenwich Village. He also became friends with one of
his musical heroes, folk singer-composer Woody Guthrie. Dylan’s debut album,
Bob Dylan (1962), followed in the tradition of folk singers such as
Guthrie with its guitar- and harmonica-based songs about the poor and
downtrodden. Although the album was only moderately successful, Dylan became a
major figure with The Freewheelin' Bob Dylan (1963) and The Times They
Are A-Changin' (1964). These albums are notable for their songs of political
protest, such as “Masters of War,” “Only a Pawn in Their Game,” and “With God on
Our Side.” Some of his folk songs also became hits for other artists,
such as Peter, Paul and Mary; Joan Baez; and the Byrds.
During the mid-1960s Dylan shocked his folk music fans by
turning to the electric guitar for a louder, more rock-oriented sound. Despite
resistance from many fans and critics, this period produced many of Dylan’s most
enduring recordings, including the albums Highway 61 Revisited (1965),
Bringing It All Back Home (1965), and Blonde on Blonde (1966).
Traces of the folk and blues origins of his style remained in the harsh nasal
quality of his voice, which was much imitated by other singers. Dylan’s
introspective lyrics, on the other hand, were inspired more by poets and Beat
Generation writers.
After his recovery from a motorcycle accident in 1966,
Dylan's style turned toward country music with the albums John Wesley Harding
(1967) and Nashville Skyline (1969). During the 1960s Dylan
profoundly influenced, and was in turn influenced by, many other musical
artists, especially the Beatles.
In the 1970s Dylan’s recordings continued to show a wide
variety of musical styles. His recordings later in the decade—such as Slow
Train Coming (1979)—strongly reflected his conversion to evangelical
Christianity. Other albums by Dylan during the decade included New
Morning (1970), Planet Waves (1974), Blood on the Tracks
(1975), The Basement Tapes (1975), Desire (1976), and Street
Legal (1978). Dylan also worked in film during this period, recording the
soundtrack and playing a small acting part in Pat Garrett & Billy the Kid
(1973) and directing and writing the 1978 movie Renaldo and
Clara.
Dylan’s work gradually became less popular and influential
during the 1980s and into the early 1990s, with occasional flashes of his
earlier brilliance. His albums during this time included Saved (1980),
Infidels (1983), Empire Burlesque (1985), Oh Mercy (1989),
and Good As I Been To You (1992).
Dylan was elected to the Rock and Roll Hall of Fame in
1988 and won a Grammy Award for lifetime achievement in 1991. But despite these
career-spanning honors, he continued to produce new material. In 1994 he won the
Grammy Award for best traditional folk album for World Gone Wrong (1993).
In 1995 Dylan released the album MTV Unplugged, in what essentially
marked a return to the folk style of his early years. In a notable triumph,
Dylan’s 1997 album Time Out of Mind captured the Grammy Award for album
of the year. Two more successful studio albums followed: Love and Theft
(2001) and Modern Times (2006).
In early 2001 Dylan won an Academy Award for his song
“Things Have Changed” from the soundtrack to the film Wonder Boys
(2000). The following year he received the Grammy for best
contemporary folk album for Love and Theft. 2004 saw the publication of
Chronicles: Volume One, the first installment of Dylan’s memoirs, which
surprised critics with its insights, candor, and thoughtfulness.
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